Download e-book for kindle: Alternative Europe: Eurotrash and Exploitation Cinema Since by Ernest Mathijs, Xavier Mendik

By Ernest Mathijs, Xavier Mendik

ISBN-10: 1903364930

ISBN-13: 9781903364932

This moment identify within the AlterImage sequence that investigates formerly under-explored components of well known and cult cinema ( Underground U.S.A. being the 1st quantity) good points over 20 essays from an eclectic variety of writers uncovering the cult cinema of Europe. The writers think about such strange and numerous subject matters as Russian horror cinema, British exploitation, Belgian substitute cinema and Black 'Emmanuelle' motion pictures. Alternative Europe additionally comprises unique interviews with such 'trash' movie administrators as Jess Fano and Brian Yuzna ( Reanimator, etc.).

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Extra info for Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage)

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It lurches through a number of genres - musical, science fiction, disaster film, television sitcom - but not the one most obviously hospitable to its resources and ambitions: the sex comedy. Although Queen Kong plays like it should be a sexploitation film, it contains not one frame of nudity. Askwith's bottom is never bared, and none of the 'Page 3' and Benny Hill girls in the cast strips further than her bikini. Nor is Queen Kong for kids, like other British 'monster on the loose' films such as Gorgo (1961), Digby - The Biggest Dog in the World (1973) and, on television, The Goodies' 'Kitten Kong' sketch.

CONCLUSION Studies of cult and exploitation films often try to justify their interest based on kitsch or aesthetic grounds. Jeffrey Sconce's 'paracinema' attempts to explore the inherent aesthetics of the film, even when they violate academy-defined notions of taste and quality. He notes: By concentrating on a film's formal bizarreness and stylistic eccentricity, the paracinematic audience ... foregrounds structures of cinematic discourse and artifice so that the material identity of the film ceases to be a structure made invisible in service of the diegesis, but becomes 30 instead the primary focus of textual attention.

Derek: Gawd. Fucking hell.

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Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 (Alterimage) by Ernest Mathijs, Xavier Mendik

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