Download PDF by Cassandra Jackson: Barriers Between Us: Interracial Sex In Nineteenth-century

By Cassandra Jackson

ISBN-10: 0253110459

ISBN-13: 9780253110459

ISBN-10: 0253345111

ISBN-13: 9780253345110

This provocative booklet examines the illustration of characters of combined African and ecu descent within the works of African American and ecu American writers of the nineteenth century. the significance of mulatto figures as brokers of ideological trade within the American literary culture has but to obtain sustained serious awareness. Going past Sterling Brown's melodramatic stereotype of the mulatto as "tragic figure," Cassandra Jackson's shut research of 9 works of fiction indicates how the mulatto trope unearths the social, cultural, and political principles of the interval. Jackson uncovers a lively dialogue in 19th-century fiction concerning the position of racial ideology within the construction of an American identification. She analyzes the topics of race-mixing, the "mulatto," state construction, and the social fluidity of race (and its imagined organic pressure) in novels via James Fenimore Cooper, Richard Hildreth, Lydia Maria baby, Frances E. W. Harper, Thomas Detter, George Washington Cable, and Charles Chesnutt.Blacks within the Diaspora -- Claude A. Clegg III, editorDarlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors

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Extra resources for Barriers Between Us: Interracial Sex In Nineteenth-century American Literature (Blacks in the Diaspora)

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In a disturbing portrayal of Moore’s violence toward Archy and Cassy, the lines between revulsion and titillation are blurred. Captured after a failed attempt to escape Moore’s sexual advances toward Cassy, the two find themselves chained together awaiting their punishment. A drunken Colonel Moore soon arrives, angered that they have not been separated. He has Archy stripped almost naked and hung from the ceiling. ”43 Though she faints at his request, she is revived and again ordered to whip Archy.

23 of Cooper’s treatment of Native American removal expresses this conflict between the ways in which the American experience requires at once the annihilation of Native peoples and the presence of those peoples. Cooper’s depiction of Cora’s domestication, in comparison to his representation of Native Americans as ruthless brutes, also reflects the racial ideology of the 1820s and 1830s that asserted that blacks were improved by contact with whites, and that thus slavery was beneficial, while Native Americans in contact with whites only clung more desperately to savagery.

63 Like those who supported removal, Cooper’s narrator suggests that while Indians would be susceptible to vice, they would not conform to the cultural values of whites. Casting Native Americans as tied to the past, incapable of adapting to the present or future, also posed removal as a benevolent act that would both save and civilize Indians. As J. Leitch Wright has pointed out, proponents of removal in the 1820s argued the conflicted theory that separation from whites was the only way to assimilate Indians.

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Barriers Between Us: Interracial Sex In Nineteenth-century American Literature (Blacks in the Diaspora) by Cassandra Jackson


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