Download e-book for kindle: Bram Stoker's Dracula: Sucking Through the Century, by Carol M. Davison

By Carol M. Davison

ISBN-10: 1550022792

ISBN-13: 9781550022797

In 1897, Archibald Constable & corporation released a singular through the unheralded Bram Stoker. That novel, Dracula, has long gone directly to turn into probably the main influential novel of all time. To commemorate the centennial of that fab novel, Carol Margaret Davison has introduced jointly this choice of essays by means of the various world's major students. The essays examine Stoker's unique novel and have a good time its legacy in pop culture. the continued presence of Dracula and vampire fiction and movies offers evidence that, as Davison writes, Dracula is "alive and sucking."

"Dracula is a Gothic mandala, an enormous layout during which a number of reflections of the weather of the style are configured in based units of symmetries. it's also a type of lens, bringing concentration and compression to assorted Gothic motifs, together with not just vampirism yet insanity, the evening, spoiled innocence, sickness in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the spoil, and the tomb. amassing up and unifying all that got here sooner than it, and casting its nice shadow over all that got here and keeps to return after, its impression on twentieth-century Gothic fiction and picture is exclusive and irresistible."

-from the Preface through Patrick McGrath

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Extra info for Bram Stoker's Dracula: Sucking Through the Century, 1897-1997

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New York: Knopf, 1996. Bierman, Joseph S. " American Imago 29 (1972): 186-198. Bloch, Robert. " Blood of the Innocent. Vol. 1. By Rickey Shanklin and Mark Wheatley. 27-30. Boyer, David. " Might 12 (July/August 1996): 42-47. Bram Stoker's Dracula. Dir. Francis Ford Coppola. Columbia, 1992. Carter, Margaret L. The Vampire in Literature: A Critical Bibliography. Ann Arbor and London: UMI Research Press, 1989. Chamberlin, J. Edward and Sander L. Gilman, eds. " Degeneration: The Dark Side of Progress.

On the lower slopes, particularly in the Mittel Land near Bistrita, cultivation is, and was, general, with cereals and fruit trees dominant. This forms a distinctly humanised landscape. In the mountains, the 55 B R f l H l S T O H G R ' S DUCULD large blocks of forest are interspersed with smallish stretches of cultivation and considerable upland pasture land. The east sides of the mountain blocks, the zone in which the last chase of the novel takes place, is dominated by forests, scattered cultivation areas, and areas of mountain pasture.

Stoker's Dracula routinely ravishes the throats of his victims, and in one memorable scene with Mina he cuts his own chest and makes her drink from it like an infant. His transaction with his victim is thus more complex than mere rapacity, or parasitism, for it demonstrates the vampire communicating its pathology, that is, infecting. It is hard not to hear in this the whisper of syphilis that so haunted the late-Victorian imagination. The point, though, about Dracula's infection is that it is moral as well as organic; it makes the victim evil like himself, and liberates her from the moral world.

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Bram Stoker's Dracula: Sucking Through the Century, 1897-1997 by Carol M. Davison


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